Cartridge Alignment – Setting Tracking Force, Anti-Skating & Azimuth Properly

Why Alignment Decides Sound and Record Life
A cartridge can be as expensive as you like – misaligned, it sounds worse than a €50 system properly set up. And worse: wrong tracking force or skewed azimuth permanently grinds into your records. The good news: with patience, a simple alignment protractor, and a tonearm scale (about €30 together), you can do this yourself.
This guide covers the four key alignment points: tracking force, overhang, azimuth, anti-skating – plus VTA as a bonus.
What You Need
- Tonearm scale (digital, ~€15) – measure tracking force precisely
- Alignment protractor (Baerwald or Stevenson, printout suffices – e.g. from vinylengine.com)
- Small spirit level (€5) – level the turntable exactly
- Magnifier or smartphone macro – for azimuth check
- A test record with clear tracks (e.g., Hi-Fi News Test LP, optional)
- Steady hand, good light, about 45 minutes
Before You Start: Level the Turntable
Sounds basic but is the prerequisite for everything else. Place spirit level on the platter (NOT on the chassis – that can be warped) and adjust the furniture's feet so the bubble sits dead center. Off-level turntable = every further alignment is off.
Step 1: Tracking Force
Tracking force is the weight with which the stylus presses on the record. Listed in your cartridge's data sheet, usually between 1.5 g and 2.5 g.
How to do it:
- Set anti-skating to 0 (otherwise it skews the measurement)
- Balance the tonearm: shift counterweight until the tonearm floats horizontally
- Turn the scale on the counterweight to "0" without moving the counterweight itself
- Set tracking force via the scale to the target value (e.g. 1.8 g for Ortofon 2M Red)
- Verify with tonearm scale – counterweight scales are often inaccurate
Common mistakes:
- Too light tracking force → stylus jumps out of groove, distorts, damages groove walls
- Too heavy tracking force → wears down stylus and record fast
- Tracking force is measured at platter height, not in the air
Step 2: Overhang & Tonearm Geometry (Alignment)
The stylus must sit at a specific angle to the groove to follow the spiral tangentially. Without correct alignment, tracking distortion appears, especially toward the end of the record.
Baerwald vs. Stevenson:
- Baerwald: minimum average distortion over the whole record – standard recommendation
- Stevenson: minimum distortion at record end – good for classical
How to align:
- Print the protractor (1:1, verify size before printing!) and place on platter, center hole over spindle
- Loosen cartridge in headshell (two screws)
- Place stylus on the protractor's null point (there are two: one outer, one inner)
- Align cartridge parallel to the lines of the protractor – slide and rotate until perfectly parallel
- Tighten screws without shifting
- Verify both null points – at both, the stylus must sit exactly on the line and the cartridge must be parallel to the lines
Result: tracking distortion vanishes, stereo image becomes clear and stable.
Step 3: Azimuth
Azimuth = the lateral tilt of the stylus. Ideally, the stylus stands exactly perpendicular to the record. Tilted = one channel louder, stereo image skewed.
Visual method (sufficient for most):
- Platter at eye level – or photograph from the front with smartphone
- Lower stylus onto a stationary record (turntable off!)
- Mirror trick: small pocket mirror on the record, lower stylus – stylus and reflection must form a perfectly straight line, no kink
- Twist headshell or shim if tilted (some headshells have azimuth screws, others don't)
Pro method:
With stereo test LP (Hi-Fi News) measure crosstalk via multimeter. Overkill for most listeners.
Step 4: Anti-Skating
While playing, the groove pulls the tonearm inward ("skating force"). Anti-skating counteracts that so both groove walls are loaded equally.
Rule of thumb:
- Anti-skating value ≈ tracking force (so at 1.8 g tracking force → 1.8 anti-skating)
- Conical styli often need slightly less anti-skating (~70% of tracking force)
- Elliptical/Microline styli typically need the full value
Test:
Play a mono record on a mono amp (or with mono switch). With correct anti-skating, both channels sound exactly equal in volume.
Step 5 (Bonus): VTA / SRA
VTA = Vertical Tracking Angle. The tonearm pivot height affects the stylus's angle of attack on the record. On most beginner turntables (Pro-Ject Debut, Rega Planar 1) this isn't adjustable and that's fine.
If your tonearm has VTA adjustment:
- Tonearm parallel to record as default
- Slightly higher in the back = more bass, more aggression
- Slightly lower in the back = more highs, leaner bass
With thin (140 g) and thick pressings (180–200 g), VTA changes – hardcore audiophiles adjust per record. For 99% of listeners, a middle setting is fine.
Order Summary
- ✅ Level the turntable
- ✅ Align cartridge in headshell with protractor (overhang)
- ✅ Set tracking force with tonearm scale
- ✅ Check azimuth (mirror method)
- ✅ Set anti-skating equal to tracking force, mono test
Total time first time: about 45–60 minutes. Second time: 15 minutes.
When to Go to a Pro?
- MC cartridges from €500 upward – tighter tolerances
- Vintage turntables with unknown prior state
- Tonearms with non-linear geometry (e.g. swing arm)
- When something sounds odd after your own alignment
At Second Music & Fun, we align cartridges professionally – including protractor, tonearm scale, and listening test. About 30 minutes, free with cartridge purchase from us.
Common Mistakes
- Turntable not level – makes everything else wrong
- Ignoring tracking force in the data sheet – "more is better" doesn't apply
- Protractor printed wrong scale – verify 1:1 before printing
- Anti-skating "by ear" – without mono test it's pure gut-feeling voodoo
- Overtightening cartridge screws – headshell or cartridge body can break
Related
- Collection grown valuable? Get a record valuation
- Planning an upgrade? Buy turntables & vinyl in our shop
- Getting rid of an old collection? Sell records & request an offer
- Based in Munich? Record buy-in Munich – on-site & personal
Conclusion
Cartridge alignment is craft, not magic. A well-aligned €100 stylus sounds better than a misaligned €500 stylus – and it spares your records. Whoever invests the first 45 minutes gets better sound for years.
Want your cartridge professionally aligned? Visit Second Music & Fun in Munich. We do alignment, tracking force measurement, and listening test, and explain everything so you can do it yourself next time.